Greenhill gallery performance
Friday, October 2nd, 2026
Surrounded by art. moved by dance.
In partnership with GreenHill Center for North Carolina Art and its exhibition Terra, the NC Dance Festival presents an immersive evening of live dance and dance film inside the gallery space. Exploring themes of land, identity, community, and belonging, this unique performance experience invites audiences to engage with movement, visual art, and nature in conversation with one another.
Be a part of the process
The GreenHill Gallery Open Rehearsal offers an informal, behind-the-scenes look at “Boreal,” a new work by Janice Lancaster.
Audiences are invited into the creative process to experience developing work, connect with the artists and dancers, and engage with dance in an intimate gallery setting.
Join us for a performance that invites artists and audiences into the “Terra” exhibition in the GreenHill Center for North Carolina Art.
View dance films by Robin Gee, Jingqiu J. Guan, and Tamara Williams and the premiere of “Boreal” by Janice Lancaster with live piano by Larry Weng.
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Experience the performance
Janice Lancaster – Boreal
Set to Michael Laurello’s piano composition of the same name, Boreal will parallel ecological terrain with maternal terrain. Created in the wake of new motherhood, the work will reflect on the body as a site of transformation. Boreal landscapes are vast and enduring, yet acutely vulnerable to climate change, wildlife, and ecological disruption. The dance will hold tension between vulnerability and endurance, starkness and wonder, asking how fragility and resilience coexist within both ecosystems and families.
Larry Weng – Pianist
Larry Weng will perform live piano accompaniment for Janice Lancaster’s Boreal as part of the NC Dance Festival.
Winner of the 2019 NYCA Worldwide Debut Audition and a laureate of the 2016 Queen Elisabeth International Piano Competition, Weng has performed internationally and at renowned venues including Carnegie Hall and Boston’s Symphony Hall. An accomplished chamber musician and collaborator, he is a member of the award-winning icarus Quartet and currently serves on the faculty of the Wake Forest University Department of Music.
Tamara Williams – ÌBÀ OBÌNRIN
ÌBÀ OBÌNRIN serves as a reverential exploration of the far-reaching influences of women in the traditions prevalent in the southern region of the United States and across global contexts. This captivating film shares the historical and customary practices through which women have forged a deep connection with nature, through strength and resilience within their communities.
Robin Gee – What’s Bred in Blood and Bone
Inspired by the work of Ida Bell Wells, whose writing documented the episodic period of lynching’s in the 1890’s, What’s Bred in the Blood and Bone is a study of space and place, girded by the collective experiences of brown bodies. “Blood” explores “blood memory” as body memory and the ways in which our collective experiences bind and fortify us as African Americans.
Jingqiu J. Guan – Lost Time
For all the words lost at the tip of the tongue and all the memories vanished before created…
Learn about the artists
Jingqiu J. Guan 管竞秋
GreenHill Gallery
Performance
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Accessibility at GreenHill
GreenHill Center for NC Art is committed to creating a welcoming and inclusive experience for all visitors.
Located inside the Greensboro Cultural Center (200 N. Davie St., Greensboro, NC 27401).
Two accessible entrances:
First Floor: Church Street Parking Deck (accessible parking and elevator).
Second Floor: Davie Street entrance beside Europa Café.
The Cultural Center includes an elevator, accessible restrooms, water fountains, seating, and staff available to assist visitors.
Please note that GreenHill’s main entrance doors are not automatic.
If you have questions about building accessibility before your visit, call the Greensboro Cultural Center Facility Manager at 336-373-2447.
If you have accessibility questions or would like to request accommodations, please contact GreenHill:
Email: greenhill@greenhillnc.org
Phone: 336-333-7460
First time seeing dance? Not Sure what to expect?
What you should know as an audience member
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New to attending dance concerts? Here’s what to expect
Anything that makes you feel comfortable is fine. Most people will be wearing slightly dressy casual clothes, but you’ll see everything from khakis to cocktail dresses. Some people enjoy dressing up and making a special night of it. If you do decide to dress up, though, go easy on the perfume and cologne. It can distract others near you and even prompt them to sneeze (which may distract you).
Plan to arrive at least 15-20 minutes before the scheduled start time (7:30pm for this concert), so you can find a seat, take a look at your surroundings, and have time to glance through the playbill, too.
If the door to the theater is closed when you arrive, the ushers will ask you to wait until after the first dance has finished. In between dances, you may enter the theater quietly and find an available seat.
This concert has 5 different dances created by 5 different choreographers. At the end of each dance, the audience will clap for the dancers, although they may not bow until the very end of the performance. Sometimes, there will be a brief pause in between dances, and the lights in the audience may come up slightly during that time. Talking is discouraged during the dances themselves, but quiet conversation in between is just fine.
Many dance performances are between an hour and 2 hours long. This concert is about 90 minutes long including the intermission.
It is respectful to the rest of the performers and the audience to remain seated throughout the performance, and to stay until the very end of the show, even if the performers you came to see have already danced. If you do need to leave, to use the restroom or for other reasons, please try to wait until the pause between dances or intermission so you don’t disturb other audience members or the performers.
Please don’t take photos or video during the performance. In a formal theater performance like this one, it is typical for professional photographers and videographers to attend to make the official record of the concert. Choreographers like to be able to know who is taking and sharing photos or videos of their work, so audience members are not encouraged – in this setting – to film it themselves. Plus, the light from your device will be distracting in the dark to people around you! However, selfies or pictures of you and your friends before or after the show are most welcome!
It depends on the performance and on the age of your kids. Many standard-length dance concerts are not a great choice for small children because they require an attention span that is difficult for youngsters to maintain. This NCDF concert is likely to be most interesting, in length and content, for ages 10 or 11 and older.
Turn it off, or to silent mode. It’s a good idea to double-check in the few minutes before the concert begins, and again as intermission draws to a close. If you must check your phone during the concert, please do so in the pause between dances. The light from your device is very distracting to other audience members, and to the performers!
Anything unfamiliar can seem a little intimidating at first, but you already know all you need to watch dance! Some dances tell a story, others create striking images and designs, or seem to be “about” a specific idea or issue. No need to fully “get” the dance or exactly what it means. For most choreographers, they expect that each audience member will make their own meaning from what they see. Here are some tips:
- Pay attention to how the dance makes you feel. Does it bring up any emotions, physical sensations, or memories?
- Notice how the performers are interacting with the music, and with the other dancers.
- Look at how the dancers move through space. Are they filling the space or limiting it? What kinds of energy are the dancers using?
If the dance makes you laugh, you can laugh! If it prompts other kinds of feelings or responses, those are welcome too. If you don’t like a dance, that’s ok! Modern dance is so varied that it’s likely the next dance, or the one after that, will be more your speed.
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